Dear diary,
I am a young lad – or a young man, rather: I just entered adolescence. I live with my parents; this, my room, is the attic of their small house. I spend all my time up here studying books, and barely ever come down into the real world. I’m trying to learn how to become the ideal male. My hero is Don John: he’s the one I read about the most. I envy the way he seduces women. My life’s goal is to become a Spanish libertine.
In my daydream, I chase a woman around a flower garden. But the woman flees from me and escapes. She finds a walled off portion of the garden that has a thick wooden gate, which has been left open: she goes through and closes the wooden gate behind her. I then arrive at the gate and find it bolted shut. I pound with my fists, but nobody answers.
Now I notice that the woman is up above the clouds, in her balcony. I climb the vines up the side of the building and offer her the white flower that I was holding in my mouth. We embrace and kiss.
Then I awake, and resume reading in my biography of Don John.
Upon hearing the sound of womanly laughter, I arise and look out the attic window: I see two ladies on the street below holding hands and giggling. I whistle to get their attention. They look up at me. I wave to them. They stop laughing and frown; then they shout to me: “Little boys should never be seen or heard.”
The ladies walk away, and I stare after them speechlessly.
I go back to my book, but now my mind is too agitated to read. So I open the attic hatch and look down into the kitchen, to see what my parents are doing. My father is holding up a pair of trousers. He says:
“I plan on giving these trousers to our son for his birthday tomorrow. He will feel overjoyed to wear them, because they are full-length. Since the day of his birth, the lad has only worn short pants, which cause him to look like a little boy. But these trousers will transform him into a man, and he shall become a hero: The ladies will swoon for him, like Don John.”
My eyes grow wide when I hear this news. But then my mother gives her reply:
“That is exactly what I am worried about; I do not want our son seducing all the women of the world. His short pants are the only thing preventing him from being a Spanish libertine. Therefore, let us destroy those full-length trousers that you bought him for his birthday. I shall cast them into the fire.”
Then father cries: “But what gift shall we give to celebrate our son’s entering adulthood?”
Mother answers: “I shall bake him a cake.”
Then she snatches the trousers out of my father’s hands and tosses them on top of the pile of wood labeled “Furnace Fuel.”
I remain above, watching this scene from my attic hatch, until my parents leave the room. Then I let down my ladder and hasten into the kitchen: I quickly grab the trousers off the woodpile and change out of my short pants.
Now mother and father are sitting in the living room, reading the Bible together. They both look up in shock, as I come bursting through the door and pose before them in my new full-length trousers. I turn to the right, then I turn to the left. “How do I look?” I ask, beaming with pride.
“Oh no!” my mother places her hands on her face.
“Don’t worry,” says father while patting her back, “our boy will act responsibly.”
I continue to strike poses. Mother shields her eyes. Father tries to comfort her, remarking: “They are a bit large, but he’ll grow into them.”
I then pantomime embracing a damsel, and leaning in to kiss her. Mother faints, and father carries her from the room.
§
A darkly beautiful woman arrives in town, seated at the back of a topless motorcoach driven by a chauffeur. When the vehicle comes to a stop in the road, the woman pulls out a letter from her purse and reads it – it says:
“Dearest of All, don’t feel downhearted – as soon as I break out of jail, we shall be married. Hugs and kisses. From: Your Lover.”
The darkly beautiful woman looks up from the letter. I now appear from around the corner, riding my bike and wearing my new full-length trousers. When my eyes alight upon this beautiful woman in the motorcoach, the sight so beguiles me that I drop the book I’m carrying – it lands on the ground with its title showing: Desire Under the Elm Trees. In embarrassment, I retrieve the book, then pedal over to the car.
I get off my bike and stand there before the woman, modeling my trousers. I strike a pose to the left, then to the right. I lean fashionably against my bike and tip my hat. The beautiful woman seems almost to nod. I climb back on my bicycle and slowly ride in a circle around the motorcoach. The woman almost seems to smile; it is hard to tell if she has noticed me. I then come up and stop before the door of her car, where she is sitting. I look directly at her. She seems to see me. Our faces are now so close that our lips almost touch.
In the distance, my mother begins to call my name. Hearing this, I flinch and draw back. With a yearning look, I mouth to the darkly beautiful woman the words: “I must go!” then I hop on my bike and ride home.
My mother is waiting outside the front door and waving for me to enter the house: “Hurry!” she says, “Priscilla is on the phone!” (Since my earliest childhood, it has been my parents’ plan that I marry this Priscilla, who is the daughter of our next-door neighbors.)
§
Meanwhile, the darkly beautiful woman takes the letter out of her purse again to re-read it; but at just that moment, her chauffer starts the motorcoach and begins to drive: so the sudden jolt from the vehicle’s lurching forward takes the letter from the woman’s hands, and the breeze carries it to the ground. There it remains, in the place where the vehicle was parked.
§
I am on the phone at my parents’ house, listening to Priscilla, who says: “Don’t forget that you and I are to be partners at the Egg Festival tomorrow.”
After saying goodbye to her, I climb on my bicycle and ride back to the place where the darkly beautiful woman’s motorcoach had been parked. But the vehicle is gone. I sit down in the road and sulk for a moment. Then I see a folded paper on the ground. I retrieve and read it – it says:
“Dearest of All, don’t feel downhearted – as soon as I break out of jail, we shall be married. Hugs and kisses. From: Your Lover.”
I look up from this letter and smile brightly. Then I begin to dance.
My parents, who have gone out for a walk, happen to come around the corner at this very moment, when I am dancing alone in the street. They stop short; my father nudges my mother and points to me with his pipe, saying: “It’s easy to guess what Priscilla said to him on the phone!” Then they retreat around the corner, before I spot them, so as not to disturb my celebration.
§
I skip home in bliss, absentmindedly dragging my bike behind me by its tire. When I reach the front door, my parents are standing there smiling. I look at them, they look at me. For a moment, I wonder why they are so happy; then I shrug and go inside.
Mother and father attempt to follow me, but before they can enter, I come bursting out the door again and announce: “Don’t be surprised if I get married soon.” Then I dash back up to my attic room.
Once I am gone, my father turns to my mother and says: “Our plan is working, dear! – Priscilla and Bryan! What a wonderful match!”
§
Time passes, and the wedding day finally arrives. Only it is not the wedding that I wished for, because the darkly beautiful woman, whose letter I keep always close to my heart, failed to return. So now I stand in one room sadly putting on my tuxedo, while in another room Priscilla cheerfully dons her white wedding gown. Guests flood the reception hall, bearing gifts; and there is a large cake and refreshments arranged on lengthy tables.
After helping me labor into my tux, my father tries to boost my spirits by showing me the public announcement about this event: “You’re going to have a wonderful wedding,” he pats my back; “just listen to what the newspaper says—”
But when he opens the paper and begins to read, I glimpse by chance, on the opposite page, a large photo of my true love, underneath the headline “Darkly Beautiful Woman Imprisoned!”
I look closer at the text, to find the location of the jail; then I interrupt my father and say: “Return all the gifts to the people – I’m not going to marry Priscilla.”
My father is flabbergasted. He raises his hand with his pointer finger pointing, and begins to make arguments. I then raises my hand with my pointer finger pointing, and begin to make counter-arguments. My father shouts:
“You have read so many romance novels that now you think of yourself as Don John! Well, no son of mine is going to behave this immorally.”
But I reply: “When one’s sweetheart is in distress, one cannot go around marrying other women!”
As we speak, we cut and slice the air with our hands. Each of us violently points and shakes his finger at the other.
Now Father towers over me, yelling: “No! You cannot call off the wedding now – it’s too late!” And he shouts this while waving his closed fist in my face.
At this point, I look around the room and notice, lying on my dressing table, a pistol with a belt of bullets. This gives me a daydream:
In my daydream, I take Priscilla in her white bridal gown for a walk in the woods. I have the pistol in my hand. When we reach the middle of the woods, I tell Priscilla to stop and stay put. Then I step behind her a few paces and aim the pistol at her back. I cover my eyes with my free hand, and pull the trigger. When I remove my hand from my eyes, I look and see that Priscilla is no longer standing: the white gown is in a heap on the forest floor.
I awake from this daydream to find my father still towering over me and yelling arguments. I stand up calmly, drape my arm around his shoulders, and speak soft words to soothe him. We reach an agreement and shake hands.
§
The darkly beautiful woman is in a prison cell. A guard gets her attention and hands her a piece of mail – it is a postcard, whose contents are as follows:
Greetings from your Lover. I just broke out of jail. I was ready to marry you, but now I find out that YOU are in jail. We must therefore remain apart. Be brave. Good luck!
The darkly beautiful woman looks up and sighs after reading this message. She then crumples up the paper and throws it away.
§
The guests have all gathered in the reception room to celebrate my wedding. Father is reading them the announcement from the newspaper; on the reverse side of which is the photo of the darkly beautiful woman, with the headline about her imprisonment.
Priscilla, my bride-to-be, is readying herself before the mirror in her room. I show up outside her window and tap on the glass, then motion for her to come near. She points to herself as if to say: “Who, me?” And I nod vigorously while gesturing again for her to hurry over. She approaches and opens the window sash. I stand grinning in silence for a moment; then I say cheerily:
“Let us take a little walk in the woods.”
I jab my thumb at the nearby trees, to clarify my meaning, while she stares in confusion. I then point at her, and at me, and at the trees again, while nodding and grinning.
Priscilla begins slightly to smile, as she seems to be calculating the contents of my proposal. I tilt my head a couple more times toward the woods. Then she points up her pointer finger and smiles brightly, while saying: “I’ll be right back.”
She hastens over to the vanity and grabs the bridal bouquet, then returns and climbs out of the window. I help her to the ground.
Before we head over to the woods, Priscilla casts upon me a look of love, while smiling very brightly. A pistol is protruding from my pocket.
Now, arm in arm, we walk into the woods; I in my tux, and she in her bridal gown.
We reach the place that I had seen in my daydream, in the middle of the woods. I position Priscilla just so, and tell her not to move. With my hand on the pistol, I begin to pace away. She turns to face me, but I say: “Spin back around. Close your eyes and count to five hundred.”
While she begins counting, I position myself for an easy shot. But when I try to pull the pistol out of my pocket, it gets stuck. I wrestle with it for a moment, and it ends up falling through the inside of my pantleg and tumbling out beside my shoe: the gun lands in a pile of leaves.
I get down on my hands and knees and begin to search through the leaf pile for the firearm. I soon find an object that matches its shape; but this turns out to be only a piece of wood. Before I can recognize my mistake, however, I rise to my feet and hit my head on the branch of a tree: this presses my top hat down over my face. Then I step in a beartrap.
Priscilla announces: “Four hundred ninety-nine . . . Five hundred!” Having reached the end of her count, she now opens her eyes and turns around and sees me and laughs.
She comes over and helps to remove the hat from my head and the trap from my leg. I lower my gaze in shame. While I stand there slouching in dejection and oblivious, Priscilla chances upon the pistol in the leaves, as well as a knife and a newspaper: She uses the knife to fasten the paper to a tree, then steps back a few paces and fires off all the bullets. At first, I am terrified, assuming that she must be shooting at me; but, once finished, she comes and takes my hand and leads me over to look at her target: All the shots have hit their mark, which happens to be the photo of the darkly beautiful woman. The bullet holes have made a frown over her mouth.
§
Some time has passed. Priscilla is now standing beside my mother on the front porch of my parents’ house; both women are looking out and scanning the landscape anxiously. My mother says: “Well, didn’t he tell you where he was going?” Priscilla answers:
“Before he ran away, he said: I’m sorry but I cannot marry you – father will explain everything. And yet father just keeps repeating: Don’t worry; he’ll be back.”
§
At the prison, all the alarms are sounding, because an inmate has escaped. The guards are dashing around, searching for the fugitive. One police officer alerts another, saying: “The darkly beautiful woman has fled from her cage!”
With a look of bewilderment at this commotion, I approach the entry gate of the prison, holding a large bouquet of flowers. Before going in, I halt uncertainly, noting all the flashing lights and blaring sirens. Belatedly, I decide that it is not a good time to visit: I begin to walk away.
Just then, the darkly beautiful woman dashes around the corner, looks right and left, then ducks behind a barrier. I spot my love and immediately run to meet her. She rises to make another run for it, and the two of us collide: Tipping my hat, I inform the woman that I received her letter. She hastens over to a wooden crate, pries off one of its boards, climbs inside, and motions frantically, saying: “Close me in, quick!”
So, finding a hammer on the ground, I nail the missing board back on the crate, thus sealing in the beautiful woman.
To get my attention, she pounds on the wood from within the crate and shouts instructions. I struggle to lift the crate and then stumble around with it on my back. We thereby accomplish our getaway from the prison.
§
I am hefting the wooden crate across a busy intersection. All the vehicles must keep swerving to avoid me. My love interest, the darkly beautiful woman, continues to guide me from within the crate, by pounding on the boards and shouting commands.
A spider now creeps toward me from out of the shadows. I stumble in panic and almost drop the crate. The woman pounds and shouts. I apologize for the turbulence.
At last, I find a place where I can safely set down the crate. There are several identical wooden crates piled up outside of a shop. I balance mine atop this array. Then I sit down on the curb and begin to eat a sandwich that was in my pocket.
A stray dog steals my shoe, so I must give chase to retrieve it. While I am off doing this, a delivery truck bumps into the stack of crates and knocks them down, leaving them scattered on the pavement. Thus, when I return, I cannot tell which of these crates contains my love interest. So, I pry open the one that is nearest: I am terrified to see that it holds a police officer. (This, I learn, after recovering from my swoon, is only a ventriloquist’s dummy.) I then pry open the next crate – it contains a live alligator: so I quickly reinstall the detached panel.
The third crate that I open reveals my true love: the darkly beautiful woman emerges with packaging material in her hair. She draws a pistol and immediately enters the nearest shop, then returns draped in luxurious furs, and tosses me a new suit, which I quickly change into.
As nonchalantly as I can manage, I now stroll down the boulevard with the darkly beautiful woman. We enter a nightclub and watch the hoochie-coochie dancers.
The owner of the club is reading the front page of a newspaper, whose headline says: “Darkly Beautiful Woman Escapes from Jail, Robs Clothing Store – Beware: Armed, Dangerous, & Still At Large!” Seeing that the photo matches my companion, the club’s owner hastens into the phone booth and calls the criminal underworld, muttering: “I found your lost sheep. Better come quick.”
The criminal underworld then storms into the club with their tommy guns drawn, and the big boss addresses the darkly beautiful woman: “Are you glad to see me? Now we can finally get married.”
The woman sneers: “You dirty double-crossing rat.” She finishes her drink and then opens her purse. Taking out her pistol, she aims at the big boss and shoots him dead.
The whole club now erupts in gunfire. Smoke fills the atmosphere.
The darkly beautiful woman clutches her chest; she grabs my arm to steady herself, then falls slowly to the ground, smearing my coat with blood.
The smoke finally clears, revealing the whole criminal underground sprawled as corpses on the floor.
Now the public comes pouring into the nightclub and gawks at the crime scene. The people snoop around, jostling the bodies while pointing and gossiping. Finally, the cops burst in and arrest everyone.
§
We are all in prison together. A guard now opens the gate of our collective cell and shouts my name. I point at myself and look surprised. The guard motions for me to come out.
Now freed from jail, I walk back home. When I enter the room, my parents and Priscilla are seated before a feast at the dinner table, with their heads bowed and their hands folded in prayer. I quietly slink down into the empty seat, and bow my head and fold my hands.
“Amen,” says my father. We all look up. They are all shocked to see me. In absentminded excitement, Priscilla, whose seat is opposite mine, stands up to embrace me and, in the process, tips over the entire table. I arise drenched with food, and my family keeps hugging and kissing me forever after.
Source: Long Pants (1927)